Bengali Modern & Adhunik
Golden era to contemporaryClassics of the golden era of Bengali music alongside her own contemporary releases — sung with attention to diction, mood and the storytelling that makes Bengali songwriting distinctive.
Genres & Forms
Where the Voice Lives
Each of these has been performed on stage hundreds of times — not as a listed skill, but as a practised craft.
Devotional & Shyama Sangeet
Bhajan, kirtan, Shyama SangeetDevotional repertoire for pujas, temple programmes, Kali Puja and Durga Puja evenings — performed with the restraint and feeling that this form demands.
Hindi Film & Bollywood
Playback and stage renditionsA broad Hindi film repertoire spanning the classic playback era through to modern soundtracks, including tribute renditions of Manna Dey, Lata Mangeshkar and Asha Bhosle.
Indian Classical
Khayal, thumri, semi-classicalTrained from the age of three in Hindustani classical technique — the foundation beneath every other form she performs.
Wedding & Ceremonial Music
Sangeet, gaye holud, receptionSong selections built for each ceremony of a Bengali or North Indian wedding, from the gaye holud morning to the reception evening.
Music Teaching & Mentoring
Vocal training, guidanceStructured vocal training for serious learners, several of whom now record and perform professionally. Group and one-to-one formats, online and in person.
Languages
Bengali, Hindi & Beyond
Programmes are built in Bengali and Hindi as a matter of course, with Sanskrit shlokas and Rajasthani or Bhojpuri folk added when the occasion calls for them. For mixed audiences the running order is planned so that no section of the room is left out for long.
- Bengali — modern, devotional, Shyama Sangeet, Agomoni, golden era
- Hindi — film playback, ghazal-influenced light classical, bhajan
- Sanskrit — shlokas and stotras for ceremonial openings
- Regional folk — on request, rehearsed in advance
Have a Specific Song in Mind?
Family favourites and special requests are rehearsed before the event — just share them in advance.